Showing posts with label Algonquin Publishing. Show all posts
Showing posts with label Algonquin Publishing. Show all posts

Monday, May 7, 2012

Book Review: Heading Out to Wonderful

I admit up front that I was not a huge fan of Robert Goolrick's previous novel The Reliable Wife, so I was a little reluctant to pick up his new one called Heading Out to Wonderful.  Luckily I had a little prompting from Craig "Call me Peaches" Popelars at Algonquin, who told me that he thought I'd love it. As usual, he was right. Damn his eyes.

If you read enough books or watch enough movies, after a while you develop certain expectations built into certain plot points. Thus, in chapter one when a mysterious drifter rolls into a small Southern town with nothing but his truck and two suitcases, and when those two suitcases are filled with nothing but cash and a set of the sharpest butcher knives anyone has ever seen, you know that by the last chapter there's no way that everything can end well.  Just a fact of fictional life.

That's essentially what happens in Goolrick's book, but he does stand certain of the reader's expectations on their heads, and that's what makes for an intense but heartfelt read.  You know something bad is going to happen, but it's not precisely clear at first just what path the badness is going to take: will somebody end up butchered & barbecued, a la Fried Green Tomatoes? Will the evil spring from the handsome stranger, or will it be exacted upon him by the small, xenophobic town? Is the handsome stranger's intense relationship with the young boy more insidious than it appears on the surface or is it completely innocent?

Add in a curious five year-old narrator, a small town full of busybodies, a racial divide, old time religion, a near-death resuscitation, and a man who's so rich and so mean, he has to buy himself a pretty young mountain girl for a wife, and you've got the makings of a pretty great story. 

The opening paragraphs are some of the best meditations on memory that I have ever read. The book is narrated by Sam, who is an old man looking back on what happened when the drifter came to town and his family took him in:

The thing is, all memory is fiction. You have to remember that. Of course, there are things that actually, certifiably happened, things where you can pinpoint the day, the hour, and the minute. When you think about it, though, those things mostly seem to happen to other people.

This story actually happened, and it happened pretty much the way I'm going to tell it to you.  It's a true story, as much as six decades of remembering and telling can allow it to be true. Time changes things, and you don't always get everything right. You remember a little thing clear as a bell...while other things, big things even, come completely disconnected and no longer have any shape or sound. The little things seem more real than some of the big things....I'm  not young any more, so sometimes I can't tell what things are the things I remember and what things are just things that other people told me They tell me things I did, and a lot of them I don't remember, but most people around here aren't liars, so I just go on and believe them, until it seems that I actually do remember the things they say.

This is not exactly a Southern gothic tale, though  it has elements of that.  Mostly it's the story of quiet people after the war, who are on the cusp of modernity and who know their simple, seemingly charmed way of life won't last forever.  It's the story of otherwise good people who choose to let evil into their hearts, and the blinding love of a small boy for a man he calls Beebo, who instinctively knows something about protection but is too innocent to understand what happens around him. I highly recommend it. I've already passed my reading copy on to my husband and he's barely spoken to me since--that's how involved he is with it. 

~Emily

Sunday, June 5, 2011

Book Review: The Sound of a Wild Snail Eating

May I confess something?  I only picked this book up last month for three reasons: (1) it was published by Algonquin, one of my favorite publishing houses, and (2) it looked short enough for me to read while on the train to BEA, thus bumping my monthly reading up by one notch, and (3) it's non fiction, and I like to make sure I read at least one nonfiction book each month.  So yeah, basically I was reading this book to make my stats look better.  I'm a little bit ashamed because it was *really* good, and despite all of my cunning, I did not finish it in the month of May, so it's going towards my June stats anyway.  Since June is the month I take my summer vacation, it's the last month in the year in which my reading stats need any boosting whatsoever.  So I reckon it just serves me right.

Anyway, this delightful bit of nonfiction by Elisabeth Tova Bailey was far more interesting than I bargained for.  On a vacation in Italy, the author encounters a virulent strain of influenza that wreaks havoc on her body and her immune system.  Very soon after returning home she becomes bedridden, then hospitalized.  Somehow her mitochondria become compromised (I'm sure I'm not the only reader who envisioned Madeleine L'Engle's A Wind in the Door at this point) and she needs to move out of her farmhouse and into a studio apartment where she needs extensive daily care, if not quite round-the-clock care.  

It's at this point in her life that a friend brings her a snail she found when rambling in the woods, and against all odds, this snail becomes Bailey's constant companion.  She follows its movements avidly and researches with just as much gusto what the proper care and feeding of a snail might entail.  I was surprised just how engaging this narrative would be--just as surprised, in fact, as I was about how interesting these molluscs, these gastropods (from the Latin for mouth-foot) could be. 

As Bailey learns to deal with her circumscribed life, she observes this single snail, eventually  creating a terrarium for it.  The snail is frequently her only diversion in the long hours of daylight she spends alone, and at night she devotes countless hours to imagining its inner life.  Each chapter is punctuated with excerpts from naturalists like E. O. Wilson, and poets like Elizabeth Bishop, who were all fascinated by the common snail.  Along the way I learned a lot of natural history, such as found on page 87: 
"Three and a half billion years ago, when life on earth began, the snail and I shared a common ancestor, some kind of simple worm that over time evolved into two animal groups.  The protostomes, which in the embryotic stage develop a mouth first and then an anus, branched off into gastropods...And the Deuterostomes, which develop the same characteristics, though somewhat embarrassingly in reverse order, anus first and then a mouth, branched off into mammals, including Homo sapiens."
Other interesting facts I gleaned include the new development in colonoscopies, which mimics the movement of the snail to increase the patient's comfort, to develop a  small robot that "can travel snail-like through the mucus-coated intestines of humans."  And did you know that snails have over 2,500 teeth?  (Tell me you didn't know-this was the first fact in the book that completely astonished me!)  Yes, they have 80 or more rows of teeth with 33 teeth per row.  With that many teeth, it's no wonder how Bailey came up with the title of this book!

And yet sometimes the narrative would take a poignant turn.  It's easy to forget that Bailey was an invalid during the course of this book, unable to leave her bed even to walk to the kitchen to pour herself a glass of water.  It's a wonder she didn't become more melancholy that she did.  One of her thoughts that rather pierced my heart: 
There is a certain depth of illness that is piercing in its isolation; the only rule of existence is uncertainty, and the only movement is the passage of time.  One cannot bear to live through another loss of function, and sometimes friends and family cannot bear to watch.  An unspoken, unbridgeable divide may widen.  Even if you are still who you were, you cannot actually fully be who you are.  Sometimes the people you know well withdraw, and then even the person you know as yourself begins to change (131).
If that is not a clear reason for despair, I do not know what is, and yet I never got the feeling that Bailey despaired of much.  Her fortitude, derived almost entirely from the snail, according to this narrative, is something to behold.  Clearly there is far more to this book than I initially imagined.   I would encourage anyone with an interest in good, literary narrative non-fiction to take a look at it, too.

NB: The publisher sent me a finished hardcover copy of this book last year when it was published, but I am just now getting around to reading it. As of this writing I do not know when it is slated for a paperback release. 

~Emily Crowe

Tuesday, February 1, 2011

Terrific Tuesdays Releases: Go West, Young Man!

Following last Tuesday's meme, we would like to introduce our readers to a book just released today called West of Here by Jonathan Evison.  Last fall this book got more pre-publicity buzz among independent booksellers than any other winter title and now you can check it out for yourself.  Our good friend Craig at Algonquin Books sent advance reading copies of Evison's book several months ago because he knew we would be interested in supporting it.  In fact, we here at the Odyssey were so impressed with this new book that we made it our March selection for the First Edition Club!

Set in the fictional town of Port Bonita, on Washington State's rugged Pacific coast, West of Here is propelled by a story that both re-creates and celebrates the American experience. Harkening back to the work of such masters of Americana as Bret Harte, Edna Ferber, and Larry McMurtry, this is a bold novel by a writer destined to become a major force in American literature.

Here's what Joan Grenier, co-owner and bookseller extraordinaire, has to say about West of Here: 

"I have never visited the Olympic Peninsula of Washington State, until now, in this magnificent and brilliant saga. The description alone of the mountains, rivers, flora, and fauna would be enough to captivate me, but the story that Evison tells is at once both wonderfully epic and intimate in scope. Beyond the natural world, his tale spans more than 100 years--from Port Bonita’s earliest days until now—and gives us the history of its various inhabitants, both the indigenous peoples (the Klallam) and the white settlers and explorers.  When entrepreneurs build a dam on the Elwha River, it reduces the salmon run from over 400,000 to fewer than 4,000, and Evison explores the long-term ramifications of humankind’s interference with nature. For a time the town prospers, but in the early years of the twenty-first century the dam will be removed. Evison’s novel deftly weaves together the lives of more than forty characters (who span several generations) and the many challenges they face, including the Mather expedition that explored the uncharted interior of the Olympic Peninsula in 1889; Storm King, the blue-eyed mute son of Hoko born in 1880 during a gale-force storm; and the people who work at High Tide, the only seafood processor left in town in 2006.  Hint: this would be a wonderful book to curl up with during a winter storm, so stop by today before the entire Pioneer Valley is socked in!"

~Emily