Monday, March 16, 2009


Mandel's debut novel, which is intense and subtle in equal measure, has left me completely dazzled.  Lilia, abducted by her father at the age of seven, grows up to be a wanderer, utterly incapable of forming lasting attachments or understanding the concept of home.  When she quietly leaves Eli behind, he traces her to Montreal, where Lilia's past and present collide in one mysterious young woman whose training as a tightrope walker stands in sharp counterpoint to her unbalanced mental state.  Ultimately this is a novel about urgency and restraint and about both the tragedies and rewards that we reap when we try to push beyond the limits of meaning and understanding.  Mandel resists the temptation to tie all three storylines up too neatly, leaving a couple of them to unravel as they may, and I think we can expect great things from this author in the future. 


It's from a small publisher, Unbridled Books, which has been quietly making good books for the discerning reader for I don't know how long, but which came to my attention a little over a year ago when they published Margaret Cezair-Thompson's The Pirate's Daughter.  We picked that book for our First Editions Club in December 2007 and now I really hope to pick Last Night in Montreal for either our June 2009 selection or for our BreakOut Fiction selection.  Ms. Mandel is incredibly young--she looks like she would be carded non-stop for a night out on the town--for having turned out such a fine, sensitive first novel.  It's not just the careful details she crafts for each character, it's also what she chooses to leave in shadow, crediting the reader's own imagination, that sets this book apart.  I can't wait for the book to be published so that I can put it in the hands of as many readers as possible.  


In other book news, I wonder if anybody else has paired up Cormac McCarthy with the tv show Northern Exposure to write a book review.  If not, then you heard it here first, y'all.  Jim Lynch's forthcoming book from Knopf, Border Songs, is the most bizarre love child of Cormac McCarthy's westerns and the quirky characters from Northern Exposure.  Honestly, I can think of no higher praise!  There's a hint of menace lying under the surface of nearly every page but that menace is perfectly counterbalanced by one Brandon Vanderkool, a behemoth of a man who has recently joined the Border Patrol but who would much rather stay at home with his dairy cows and make shadow sculptures of birds.  His bumbling, awkward ways, which once made him the object of local ridicule, have freakishly come together to make him the best damn BP man on duty.  Brandon is infinitely endearing in his happenstances, whether he's making a bust on a would-be terrorist or discovering a hidden tunnel used for transporting drugs across the border from Canada to the US.  Mr. Lynch has delivered a book that is both warm & wary.  His sense of the ridiculous is tempered by the generosity he shows his characters, and I look forward to reading more from him.  We readers on the FEC committee liked the book so much that we've picked it for our July FEC selection and I'm looking forward to welcoming the Jim to our store. 

~Emily Crowe

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