Hello, my name is Nieves and I'm a Cover Lover...

I know, I know you shouldn't judge a book by it's cover... but it is definitely instrumental in whether or not the book gets picked up and perused.

Currently, I am in love with the dust jacket of We the Drowned, by Carsten Jensen, Houghton Mifflin Harcourt, $28.00. Published February 2011.

The first sentence alone promises a story worthy of such an excellent cover:

"Many years ago there lived a man called Laurids Madsen, who went up to Heaven and came down again, thanks to his boots."

Am I the only one who claps in delight over such a well turned (and apparently translated) phrase?

To get a higher resolution look, click here. [via] Or just stop on by the store and have a look see for yourself.

Can't wait to read this 600+ page beast, cover to cover of course!

Paz,

~Nieves

Watercolor & Gouache Illustrations

This week's selection of hardcover picture books all have watercolor or gouache illustrations. Gouache, for those who don't know, is a kind of paint similar to watercolor. It comes in little tubes and when you mix the paint with water to a pudding consistency it can be applied to paper in areas that dry matte and flat. If you mix additional water in, the gouache will look exactly the same as watercolor. Gouache is often used for concept art for animations. Mary Blair, who did development artwork for Peter Pan and Alice in Wonderland, used gouache in her paintings for the Disney movies. Some of these paintings have been collected into books: Walt Disney's Alice in Wonderland by Scieszka and Walt Disney's Peter Pan by Dave Barry & Ridley Pearson. Now that we've had a media lesson, on to some picture books.



Beaver is Lost (9780375857652)
by Elisha Cooper
Random House, $17.99
This story is told entirely in watercolor illustrations, a bit like David Wiesner's Tuesday, though Cooper's illustrations are much looser and more fluid than the intricacies of Wiesner's.
A little beaver floats away from his family on a log. He ends up at the dock of a lumber company where he is chased by a dog, he goes through a swimming pool, around a zoo, through a pond, through the streets, and finally swims hope after his adventure. the looseness of the paintings give the book an almost dream-like quality. A few of my coworkers looked through the book, commenting on beaver's adventure as they went; I am sure children will do the same, reading the illustrations as they go. Those familiar with the skyline of Chicago will be able to pick out the specific location of each scene.




Biblioburro: A True Story from Columbia (9781416997788)
by Jeanette Winter
Simon & Schuster, $16.99
This picture book is based on a true story and features vibrant gouache illustrations.
Luis' house is so full of books there is barely room for him! So he loads the books on two burros and sets out to bring the books to people in other villages. On the way he meet s a bandit. Having no silver, Luis gives the bandit a book and continues on. In the village he reads a book and passes around books to all the children before continuing home. This simple book celebrates the act of sharing books and reading. Winter's illustrations are bright and colorful and the texture of the watercolor paper she used comes through to make them almost appear as fabric collages. This book is great for even the youngest book lover.

Little Blue Truck (9780152056612)
by Alice Schertle illustrated by Jill McElmurry
Harcourt, $16.00
This story is told entirely in rhyme with watercolor and gouache illustrations. A little blue truck drives down the road, beeping at the different animals it passes. When a yellow dump truck barrels by and gets stuck ion the mud, everyone goes to help out, from the blue truck to a frog. Children will help out by chiming in on the sound effects, a job made easier as each onomatopoeic word is written in large type and color-coded. Additionally, this book delivers a message of helping people, even if they might not do the same for you at first (do unto others).

-Marika

Gift of Reading Club Selections - April 2010

Ever have one of those "duh" moments when you wonder why it took you so long to think of that simple, yet brilliant, idea?

Each month at the Odyssey Bookshop, I hand-select books for children signed up for our Gift of Reading Program. Usually a family member or close family friend signs up the child (age infant through teen), and each month I pick out, ring up, gift wrap, and mail out a book chosen specifically for them. The books have usually been recently published (within the last three months or so), and is chosen based on the age of the child, the gender (yes, I take that into consideration, though I do think outside the box) of the child, the reading level, if I know anything about the child's reading preferences, the literary merit of the book, the artistic merit of the book, and of course, my own personal taste.

Why I never thought to blog about my selections before is beyond me. I will now begin to do so, using only age and gender to identify the recipient of the book. Here they are:

April 2010 Gift of Reading Club Selections
(by age)

Baby (months old) female:

Gossie Plays Hide and Seek
by Olivier Dunrea 
9780547242965, Houghton Mifflin Harcourt, $13.99

1 yr/o male:

Trucks: A Mini Animotion Book
by Accord Publishing
9780740792007, Accord Publishing, $9.99

I Like Bugs
by Lorena Siminovitch
9780740792007, Candlewick Press, $6.99  

Zoo Parade!
by Harriet Ziefert, illustrated by Simms Taback  
9781593540142, Blue Apple Books, $8.95 

2 yr/o female:

Pepi Sings a New Song
by Laura Ljungkvist
9781416991380, Beach Lane Books (Simon & Schuster), $16.99 

3 yr/o male:

Giant Pop-Out Ocean
9780811874793, Chronicle, $10.99 

4 yr/o female:

The Sandwich Swap
by Her Majesty Queen Rania AlAbdullah of Jordan, with Kelly DiPucchio, illustrated by Tricia Tusa
9781423124849, Harper, $16.98

Gumption
by Elise Broach, illustrated by Richard Egielski
9781416916284, Simon & Schuster, $16.99

The Django
by Levi Pinfold
9780763647889, Templar Books (Candlewick), $16.99


6 & & yr/o male:

Shark vs. Train
by Chris Barton, illustrated by Tom Lichtenheld
9780316007627, Little, Brown for Young Readers (Hachette), $16.99 


7 & 8 yr/o female:

Madame Pamplemousse and her Incredible Edibles
by Rupert Kingfisher, illustrated by Sue Hellard
9781599903064, Bloomsbury (Macmillan), $15.99


9 yr/o female:


Kaline Klattermaster's Tree House
by Haven Kimmel, illustrated by Peter Brown
9780689874031, Simon & Schuster, $5.99


8, 9, & 10 yr/o male:

Big Nate: In a Class By Himself
by Lincoln Peirce
9780061944345, Harper, $12.99

11 & 12 yr/o male:

Dangerous Book of Heroes
by Conn & David Iggulden
9780061928246, William Morrow & Co, $26.99

12 yr/o female:


The Incorrigible Children of Ashton Place
by Maryrose Wood, illustrated by Jon Klassen
9780061791055, Harper, $15.99

15 yr/o female:

And Both Were Young
by Madeleine L'Engle
9780374303648, Farrar Straus & Giroux (Macmillan), $16.99

-Rebecca

Check out this post on my personal blog.

Happy Birthday Hans Christian Andersen

Thank you to Google for reminding me that today is the 205th birthday of Hans Christian Andersen. Google has a five-image series of Andersen's  Thumbelina surrounding their logo today.
Andersen was a Danish writer and paper-cut artist who not only recorded tales from the oral storytelling tradition (in the style of the Brothers Grimm), but who also wrote his own creations. His fairy tales were published in Europe beginning in the 1830s, but it wasn't until the 1860s that Americans first got a look at them (in an American English edition - maybe they'd seen them before elsewhere, people did travel back then, you know).

A man named Horace E. Scudder worked for an early version of the publishing house we now know as Houghton Mifflin Harcourt, known then as Hurd & Houghton. At that time in children's publishing, children's magazines were becoming a big deal, with many publishers vying for the position of top-circulating, best-illustrated, most-engaging-stories-by-most-famous-authors children's magazine producer. The Riverside Magazine for Young People was first published by Hurd & Houghton in December 1866. Scudder had a close relationship with Andersen and was able to not only publish 17 of Andersen's fairy tales in The Riverside Magazine beginning in 1868, but Scudder also negotiated on behalf of Hurd & Houghton to publish the only authorized American edition of Andersen's stories (thank you to Leonard Marcus's Minders of Make-Believe for this information). Scudder was constantly encouraging Andersen to make the trip across the pond and visit the States, but sadly that never happened.

Andersen's tales have been made into movies - cartoon and live-action, plays, and ballets. They also continue to be collected in anthologies and illustrated as individual stories. Just last month in March 2010, Chronicle Books published a version of Thumbelina, illustrated by Sylvia Long (9780811855228, $17.99). One of my favorite versions of this story was illustrated by Lisbeth Zwerger, published under the title Thumbeline (9780735822368, $6.95, NorthSouth). There is even a graphic novel version (9781434217417, $4.95, Capstone Press), and a re-imagined full-length middle grade novel with silhouette illustrations by Barbara Ensor (9780375839603, $12.99, Random House).

Of the hundreds of anthologies of Andersen's work, Lisbeth Zwerger has illustrated a beautiful edition in her signature dreamy watercolor style (9780698400351, $21.99, Penguin). W.W. Norton (a publishing house) has released an annotated collected works (9780393060812, $35), while Calla Editions, an imprint of Dover Publications, has published an immense, bound in a cloth binding with gold embossed lettering, gift edition (9781606600009, $40). Lastly, don't miss a collection of his paper cuttings - artwork that looks like reverse silhouettes, compiled by Beth Wagner Brust for Houghton Mifflin Harcourt (9780618311095, $9.95).

However you prefer your Andersen, illustrated or performed, take some time today or this weekend to read a few of his treasured tales. I'd start with The Little Mermaid (if you're reading with older children or for yourself). This isn't a washed-out Disney version. It's the real classic. As it should be.

 - Rebecca

Click here to see this post on my personal blog.

She said, He said: Novels with multiple narrators

A sales rep friend posed this question online today:

I have a writer friend who is looking for YA (or adult) novels that are told in alternating voices. She wants examples where each character has a chapter and they go back and forth between points of view. It’s a bonus if the characters live in different time periods.

The varied responses from the people who answered her, and the fact that I'm working on a YA novel told from various view points, made me reflect on that topic.

A co-worker once lamented about dual-narrator novels, saying something to the effect of, "Unless it's written really really well, it's a cop-out" (I'm paraphrasing greatly here). After I heard her reasoning, I admit I judged dual-narrator novels more harshly, despite writing one of my own.

The way I defend my own writing is that I didn't want to tell the entire novel from a third-person omniscient narrator POV, and both main characters are, ya know, main characters with two distinct voices, so...mine works (I hope).

But what really makes a novel work with multiple voices and in which cases is it unnecessary to the plot? A lot of novels have more than one main character, or really important secondary characters; why should they not all have their own voice? Often scenes are told from the POV of a character other than the main character, but almost never in first person. It is the omniscient narrator that allows the reader to gaze through the eyes of a secondary character, and it abundantly clear that the POV of the primary protagonist is the central focus.

Of course, I'm also confusing this subject by talking about POV (point-of-view), voices, and narrators, and all that doesn't include various storytelling formats such as diary entries, letters, phone conversation transcripts, and the recently more common emails and text messages. Where do all of these fit into the subject of multiple narrators?

While I don't have concrete answers to the questions I've posed, here are some books to hold up as examples for things I think they do particularly well.

My Most Excellent Year by Steve Kluger (9780142413432, $8.99, Penguin) is my go-to favorite for multiple narrator/multiple format storytelling. This is a YA novel about three contemporary teenagers. The novel exhibits three different main character points-of-view, with plenty of secondary characters, texts, emails, IMs, diary entries, and expository scenes.

Another favorite contemporary YA novel that switches not only narrators, but also time periods, is Printz Award-winning Jellicoe Road by Melina Marchetta (9780061431852, $8.99, Harper). Warning: It makes me sob (good tears) every time I read it; it's that good.

A new, not-yet-released YA novel told by dual narrators is Will Grayson, Will Grayson by John Green and David Levithan (9780525421580, $17.99, Penguin, Pub. Date: April 2010). Interestingly, the two different view points are written by two different authors.

My favorite adult novel, though sadly out-of-print, is Letters from an Age of Reason by Nora Hague (9780060959852, Harper). Told in alternating sections, letters and journal entries chronicle the relationship between a white American living in England during the Civil War years, and the high-yellow former slave from New Orleans she falls in love with.

Also told in letters, is a non-fiction book, 84, Charing Cross Road by Helene Hanff (9780140143508, $13, Penguin), which covers the decades of correspondence between Helene, the American author, and the people from the bookstore at 84 Charing Cross Road. Also adult.

Similar to 84... is the best-seller The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (9780385341004, $14, Random House). Also about an American author corresponding with British people, this takes place right after WWII, and delicately showcases the friendships and budding romance. Also adult.

Nora Roberts, also writing as J.D. Robb, often writes scenes from a secondary character's point of view, though it is always clear who the main character is. Her more romantic novels are almost always told primarily through the woman's point of view, but a great strength of her novels are the scenes that are seen through the man's eyes. In her J.D. Robb ...In Death mysteries, not only does the reader see Eve Dallas's and her husband Roarke's POV, but scenes from various victims' POV are often presented as well.

For another great mystery, read Darling Jim by Christian Moerk (9780805092080, $15, Henry Hold (MPS)), told from the POVs of a postman, a dead woman and her diary, and a live woman and her diary, among others.

I've noticed YA fantasy novels have a propensity for being told with dual narrators. Here is a quick list of books I've read that showcase dual or multiple narrators that are currently on the store's shelves:

Hearts at Stake (9780802720740, $9.99, Walker & Company (Bloomsbury, MPS)) and Blood Feud (9780802720962, $9.99, Walker & Company (Bloomsbury, MPS)) by Alyxandra Harvey

Incarceron (9780803733961, $17.99, Penguin) by Catherine Fisher

Leviathan (9781416971733, $19.99, Simon) by Scott Westerfeld

Sorcery & Cecelia, or, The Enchanted Chocolate Pot (9780152053000, $6.95, Houghton Mifflin Harcourt) by Patricia C. Wrede & Caroline Stevermer

Witch & Wizard (9780316036245, $17.99, Little, Brown & Co.) by James Patterson & Gabrielle Charbonnet

Do you have any examples of novels of this ilk you'd like to share?

-Rebecca